
Dimitris
Tampakis
Dimitris Tampakis’ embodies a deadly and liberating duality, reflecting the intricate complexities of the modern human experience. It explores the existence of a hybrid being navigating an anaesthetised society, yearning for an existential awakening. Tampakis delves into the psyche of those who seek the unexpected, moments that provoke discomfort and challenge entrenched perceptions. Within these uneasy yet pivotal encounters, a profound stirring an awakening of dormant instincts, echoing Call of the Void, that magnetic pull felt at the brink of a leap.
Rooted in the liminal space between the primitive and the estranged, Tampakis’ work invites contemplation of humanity's trajectory. By engaging with the physicality of perception, he places sculptures and photographs, crafted using traditional etching techniques on metal, into spaces that prompt viewers to shift their bodies and perspectives. This intentional framing fosters an intimate interaction with each piece, encouraging a dynamic relationship between the artwork and its audience.
Tampakis embraces accidents as a fundamental element of creation, welcoming the unplanned beauty of spontaneous occurrences. Working with raw, unembellished materials, he cultivates processes designed to yield unpredictable results. This methodology captures the ephemeral nature of creation, a fleeting and visceral flash that resonates with more profound truths. This approach is freed from conventional constraints, allowing each piece to emerge through a delicate balance of careful preparation and spontaneous improvisation.
Much of Tampakis’ work recontextualises historical artefacts within a contemporary framework, creating a dialogue that bridges temporal divides. These juxtapositions challenge perceptions, drawing attention to the visceral and the sublime and inviting viewers to confront their indifference. Through this exploration, Tampakis aim to evoke an instinctual response, a raw connection that disrupts complacency and awakens a profound sense of aliveness.





