Sergio Gómez, belongs to that current of contemporary artists more interested in contradiction, in posing questions, than in providing answers. From the subtle combination of recognizable elements with other purely abstract, they are shown as cynical dissidents of the form that process a discourse based on the cynical dissidents of the form that process a discourse based on failure/success/correction, almost in a Gödelian sense, from the Gödelian sense, from incompleteness. Unusual pilgrims who embrace imperfection as a sign of identity, calling into question -questioning- the questioning -questioning- the finished/unfinished dyad of the work of art and establish as a necessary condition of existence, as well as of the pictorial act. existence, as well as of the pictorial act, impermanence.