Luke Edward Hall (b. 1989, UK) is a multidisciplinary artist and designer whose work moves fluidly between art and design. His practice encompasses interior design, fashion, murals and illustration, alongside commissions for books, restaurants and hotels. Throughout his career, he has collaborated with a wide range of brands and institutions, including Burberry, Lanvin, Christie’s, the Royal Academy of Arts, the Royal Ballet, Diptyque, the V&A, Svenskt Tenn, CC-Tapis and Habitat.

His product collaborations include porcelain and home fragrance collections with Ginori 1735, an interior fabrics line with Rubelli and furniture designed for The Lacquer Company. In 2020, Hall completed his first major interior design and art direction project with the opening of Hôtel Les Deux Gares in Paris. More recently, he designed a restaurant within the historic Kulm Hotel in St. Moritz. Since 2019, he has been a columnist for FT Weekend, writing on aesthetics, interior design and contemporary lifestyles. He is also the author of three books: Greco Disco: The Art & Design of Luke Edward Hall (teNeues), A Kind of Magic: The Kaleidoscopic World of Luke Edward Hall (Vendome) and 300,000 Kisses: Tales of Queer Love from the Ancient World (Penguin). In 2022, he co-founded Chateau Orlando, a fashion and homewares brand based between Milan and London, where he serves as Creative Director and oversees collections produced in Italy’s Veneto region.

Hall’s solo exhibitions include Dancing with Serpents at The Breeder, Athens (2026); The Silver Vale at Patricia Low Contemporary, Venice (2025); a presentation in Patmos (2024); and exhibitions at Frieze No.9 Cork Street in London, Daniel Cooney Fine Art in New York and The Breeder in Athens (2023), following earlier presentations at the same gallery in 2021 and 2022. His work has also been featured in numerous group exhibitions, including the Biennale of Contemporary Keramics (BCK), alongside Kyriaki Goni, in Rhodes (2026); Oliver Messel: Designer, Maker, Influencer at Glyndebourne, Lewes (2025); Portrait of an Artist at Cob Gallery, London (2024); and Lover’s Eye at Sargent’s Daughters, Los Angeles (2023).