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Mercedes Balle

29.05 - 28.06.2026

Mercedes Balle will present Concrete Walls at the Centro Cultural de Jesús in Santa Eulària des Riu as part of the OFF Program of CAN Art Fair 2026. Since 2022, this initiative has promoted the work of Balearic artists through exhibitions held across the Pityusic Islands, between Formentera and Ibiza, with the support of Paya Hotels.

Concrete Walls

This site-specific installation explores the dual nature of architecture: its role as a shelter and its capacity to establish boundaries that impose exclusion.

By limiting the space for movement, the installation critiques urbanism as an imposed reality, one in which the built environment dictates who can, and who cannot, circulate. Conceived for the 700 m² portico of the Centro Cultural de Jesús, the work reconfigures the space using scaffolding mesh recovered from local construction sites.

At a moment when Ibiza and the Balearic Islands are facing a critical housing crisis, the installation reflects on the contradictory realities of tourism. Its presence drives economic and urban development that threatens to destroy the very landscape that made the islands desirable in the first place, displacing both the natural environment and the local community in the process.

Balle’s practice, centred on recovering and recontextualising materials from the urban environment, takes on a critical dimension at the Centro Cultural de Jesús, addressing questions of growth and territorial transformation. Her intervention turns waste into a form of language, highlighting the tensions between development, identity and landscape within the local context.

For the fourth consecutive year, Paya Hotels reaffirms its strong commitment to Balearic artistic creation and to strengthening the visibility of the local cultural sector through its support of the OFF CAN 2026 Program. This initiative not only promotes Balearic talent, but also seeks to connect Ibiza and Formentera through contemporary art.

Mercedes Balle

Mercedes Balle

(b. 1991, Palma de Mallorca) treats the urban landscape as a personal quarry from which to extract meaning. Working directly on construction sites, she negotiates with site managers to rescue discarded materials, transforming the concrete landscape into her raw material. Her practice is an act of salvage and repair: stripping away the residue of our extractive economy in order to find the "painting" within the waste.

Through site specific installation, sculpture and her distinctive "paintings without paint", Balle questions the excess of infrastructures designed for permanence yet destined for premature obsolescence. Her process confronts the rigidity of the built environment with the regenerative rhythms of life. After years investigating this tension in London and in her current studios in Mallorca, her forthcoming intervention in Ibiza expands this research into a practice of collective repair based on the recovery of local scaffolding fabrics, using them to highlight the limits and restrictions of public space while exploring how urbanism shapes our identity and isolates us from the landscape.

She has recently exhibited in Tangier alongside curator Juan Carlos Rego at La Tour du Ciel, and in Noves Presències, Trajectòries Latents: Cartografiant per un Futur, curated by Tomeu Simonet. Her work was also recently included in the travelling exhibition After Nature (2025–2026), curated by Ben Tufnell in the United Kingdom. Other highlights include a research period at the studio of Arcangelo Sassolino (Italy) and solo exhibitions at Museu de Porreres, Mallorca (2025) and The Stone Space, London (2024).