Teresa Moro offers an intimate collection of delicate gouaches and acrylics in which she traces the furniture and personal objects of Matisse, Calder, Hopper, Magritte, and the studios or small side tables of Bourgeois, O’Keeffe, Donald Judd or David Hockney. We are witnessing a transformation, a kind of veneration of the great artists’ studios as relics, as sanctuaries.

These images evoke a sensual, multi modal contact with objects that might trigger, or restore, the memories of someone with whom we would like to feel an affinity. There is a way of thinking in images, or of feeling through matter and through particular objects, that cannot be transcribed into words.